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Pyramids (A Book of Going Forth)

Year:

1989

Author:

Terry Pratchett

Contry:

UK

Language:

English

Publisher:

Victor Gollancz Ltd

Genre:

Fantasy

Other websites:

Summary
The Discworld series is set in a fictitious flat world placed on the backs of four elephants, which in turn stand on the carapace of a giant turtle called A’Tuin, which endlessly traverses the multiverse. The plot of the seventh volume in the series takes places in a state of Djelibeybi, overtly modelled on ancient Egypt. The protagonist of the story is young Teppic, whom we meet as a crown prince of Djelibeybi sent to Ankh-Morpork, the most important city of the Disc to be trained there in the Assassins’ Guild. After the unexpected death of his father Teppic needs to come back to his homeland to become the new pharaoh. Having become the king, he attempts to reform his country, which leads him into conflict with the high priest and First Minister Dios, obsessively attached to old customs and traditions. When Teppic decides to construct the greatest pyramid in the history of Djelibeybi for his late father (who remains on earth in ghostly form, unseen and unheard by anyone) he does not realise that this monument would soon make his homeland disappear from the surface of the Disc. Only Teppic and his late father’s favourite handmaiden Ptraci can restore the order and prevent the war between Djelibeybi’s former neighbours from happening.
Front cover of the 2023 Penguin edition of Pyramids (https://www.penguin.co.uk/books/328778/pyramids-by-terry-pratchett/9781804990551)
Egyptomania narratives or motifs
The book presents a number of motifs taken from ancient Egypt. Pyramids are presented here as the iconic monuments of ancient Egyptian civilisation, with references being made to pseudo-scientific theories of the so-called pyramid power. References to Egyptian gods and religion draw upon stereotypical perception of Egypt as a civilisation worshipping strange-looking gods and putting religion above all else. Other stereotypes connected to ancient Egypt, such as mummies, treasures, cats, and camels are also present. Parodistic allusions are being made to the historical figures of Hatshepsut and Cleopatra. At the same time, the novel comprises some details, which suggest the author had more than just superficial knowledge of ancient Egyptian civilisation: these include the references to the Egyptian calendar or to pyramidion being made of electrum. Using both reliable and stereotypical information concerning ancient Egypt and combining it with some orientalist stereotypes and references to other cultural tropes (Bible, Trojan war, myth of Oedipus and the Sphinx, quantum physics) Pratchett constructs a satire portraying overreliance on religion and old traditions as a highly negative phenomenon that needs to be overcome. In doing so he uses an hyperbolised example of a fictitious state modelled on Egypt, a culture traditionally seen as over-attached to religion, to universalise his message.

Author: Filip Taterka

Other information
Burt, K. 2020. Self-Discovery, Free Will and Change: The Ethics of Growing Up in the Fantasy Novels of Terry Pratchett, in K. Noone and E. L. Leverett (eds) Terry Pratchett’s Ethical Worlds: Essays on Identity and Narrative in Discworld and Beyond: 45-48. Jefferson, North Carolina.
Not available
Ekman, S. 2013. Here Be Dragons: Exploring Fantasy Maps and Settings. Middletown, Connecticut: 117–125.
Not available
Pratchett, T. and J. Simpson 2008. The Folklore of Discworld: Legends, myths and customs from the Discworld with helpful hints from planet Earth: 16-18, 132-135. London.
Not available
Rüster, J. 2007. All-Macht und Raum-Zeit: Gottesbilder in der englischsprachigen Fantasy und Science Fiction. Erlanger Studien zur Anglistik und Amerikanistik 8: 169–173.
Not available
Rzyman, A. (2017), The Intertextuality of Terry Pratchett’s Discworld as a Major Challenge for the Translator, Newcastle upon Tyne, pp. 38 – 40, 52–54, 61–62, 107–109, 125–127, and 139–141.
Not available
Taterka, F. 2016. Egyptianizing Motifs in the Products of Popular Culture Addressed to Younger Recipients, in K. Dominas, E. Wesołowska, and B. Trocha (eds) Antiquity in Popular Literature and Culture: 208-209. Newcastle upon Tyne.
Open access
Taterka, F. 2023. The Portrayal of Ancient Egypt in Sir Terry Pratchett’s Pyramids, in A. I. Fernández Pichel (ed.) How Pharaohs Became Media Stars: Ancient Egypt and Popular Culture: 28-60. Oxford: Archaeopress Egyptology.
Open access
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Project Manager

Abraham I. Fernández Pichel

Researchers

Abraham I. Fernández Pichel - Rogério Sousa - Eleanor Dobson - Filip Taterka - Guillermo Juberías Gracia - José das Candeias Sales
Nuno Simões Rodrigues - Samuel Fernández-Pichel - Sara Woodward - Tara Sewell-Lasater - Thomas Gamelin – Leire Olabarría
Alfonso Álvarez-Ossorio - Jean-Guillaume Olette-Pelletier - Marc Orriols-Llonch


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