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Imperivm: Great Battles of Rome

Game Family:

Year:

2005

Nationality:

Bulgaria

Authors:

Gabriel Dobrev

Designer:

Gabriel Dobrev

Artists:

Peter Stanimirov

Publisher:

Haemimont Games, FX Interactive

Number of Players:

Single-player

Genre:

Real-time strategy, Real-time tactics

Other websites:

Videos by players:

Summary of the game
Imperivm is a real-time strategy game (meaning strategies are planned and executed in real-time, versus players taking turns, as with turn-based strategy games), played on a PC. Players can choose to play as one of a possible seven civilizations (listed as “Rome, Aegyptus, Britannia, Germania, Gallia, Hispania, and Carthago” on the game’s Steam website), each of which is represented by a hero. Players can choose to play in conquest mode, where they seek to conquer the available map, or they can recreate several major battles of Roman history.
The architectural style of the Egyptian civilization is shown, along with the military units that players can order from the barracks structure, including the Anubis warriors shown in the top bar (Screenshot by author)
Bottom portion of the Imperivm cover art, depicting busts of Caesar, Kleopatra, and Augustus (Image from Steam game page)
Top portion of the Imperivm cover art, depicting a Roman and Egyptian solider (Image from Steam game page)
Egyptomania narratives or motifs
During gameplay, Egyptian troops are shown in a linen kilt (white or stripped), and they either have black hair or their hair is covered with a headpiece similar to a nemes. Combat units include archers, charioteers in Egyptian-style chariots, and Anubis warriors, who have jackal heads (see screenshot). Egyptian settlements are comprised of buildings with Egyptian motifs, like sphinxes, lotus columns, carvings of Egyptian gods (including Horus and Anubis), and hieroglyphic-esque decorations (see game play screenshot). Each civilization’s combat units have a unique, special skill. For the Egyptian civilization, their special skill is Survival, which means they have extra endurance, perhaps a reference to the longevity of the Egyptian civilization. The capital city for the Egyptian civilization in the game is Alexandria, because both of the Egyptian scenarios that players can undertake are set during the Ptolemaic period. In “Egypt in Arms” (set in the year 58 BCE), players conduct an uprising against Rome, due to rising anger over Ptolemy XII’s taxation policies and his acceptance of Roman support. And in “Augustus at the Nile” (set in 31 BCE), players recreate the Battle of Actium.

Kleopatra VII is the representative hero and avatar of the Egyptian civilization. She is also featured on the cover of the game, and she is shown as a bust, with a bob hairstyle and bikini top that places emphasis on her bosom (see screenshot). Above her bust, a generic Roman soldier clashes with an Egyptian warrior wielding a kepesh. He wears a white linen kilt and striped nemes headdress, much like the combat units in gameplay (see third screenshot).

As previously noted, one of the playable scenarios recreates the Battle of Actium in which Octavian is presented as the protagonist, working for the glory of Rome, with Kleopatra and Antony characterized as acting for their own aggrandizement. So, the story’s narrative is taken directly from Roman propaganda, which characterized Egypt and Kleopatra as exotic, superabundant, and Oriental.

Author: Tara Sewell-Lasater

Other information
Sewell-Lasater, T. 2023. Eternally Maligned as the Power-hungry Femme Fatale: Kleopatra VII in Assassin’s Creed Origins and Other Video Games, in A.I. Fernández Pichel (ed.) How Pharaohs Became Media Stars: Ancient Egypt and Popular Culture: 197. Oxford: Archaeopress.
Open access
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Project Manager

Abraham I. Fernández Pichel

Researchers

Abraham I. Fernández Pichel - Rogério Sousa - Eleanor Dobson - Filip Taterka - Guillermo Juberías Gracia - José das Candeias Sales
Nuno Simões Rodrigues - Samuel Fernández-Pichel - Sara Woodward - Tara Sewell-Lasater - Thomas Gamelin – Leire Olabarría
Alfonso Álvarez-Ossorio - Jean-Guillaume Olette-Pelletier - Marc Orriols-Llonch


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