Chrononauts

Summary
Corbin Quinn and Danny Reilly are two red-blooded American guys who also happen to be scientific geniuses. With the whole world watching, they embark on the world's first time-travel experiment. But when their planned routine goes off-course, they're left to fend for themselves - leading to an era-hopping adventure! From ancient Rome to the roaring twenties to the 1980s music scene, Corbin and Danny wreak havoc with the time stream, score front-row seats to the world's wildest events, and get into hijinks with history's scariest villains. But is it worth the price, when they have unresolved problems to address back home in the present day - and a team of angry bosses ready to do whatever it takes to rein them in? This story unites the talents of writer Mark Millar (Kick-Ass, Kingsman: The Secret Service) and artist Sean Gordon Murphy (Punk Rock Jesus) - two powerhouse figures in the comics world, whose combined forces must be seen to be believed.

Scientists' time travel to Egypt (Screenshot by the author)

List of Corbin's time-travelling love (and sexual) relationships (Screenshot by the author)
Egyptomania narratives or motifs
The characters in this comic are two young scientists who travel back in time for what are, at first, professional purposes but which soon turn out to be pure amusement. Of course, this could only have dire consequences for them. In one of these space-time trips, Corbin and Danny visit Ancient Egypt in their vintage car, which they acquired in one of their previous trips to the United States in the 1920s. This is how they arrived to the Egypt of 3000 BC, which the authors of the comic recreate in a single image, featuring pyramids, palm trees, and camels, as well as numerous native workers who greet the passage of the two travellers from the future. Corbin turns to Danny and tells him that he is a pharaoh to the Egyptian population. The connotations of domination are evident in this image, in which the white individual, as a paradigm of Western civilisation, manifests his dominance over the East. In its exoticism and sensuality this orientalism is also evident in the second of the comic’s references to ancient Egypt. For instance, in his mansion in 1920s New York, Corbin boasts of his amorous prowess with different women from different eras. In the case of ancient Egypt, of course, Cleopatra is the character who appears linked to sex.
Autor: Abraham I. Fernández Pichel
Other information
Fernández Pichel, A.I. (2024), “Introduction: 'Ich mache mir die (ägyptische) Welt, wie sie mir gefällt' (Egypopcult Project)", in A.I. Fernández Pichel (ed), How Pharaohs Became Media Stars: Ancient Egypt and Popular Culture, Archaeopress Egyptology 48, Oxford, p. 2.
Open access
Fernández Pichel, A.I.; Orriols-Llonch, M., "Sex, Gender and Sexualisation: Ancient Egypt in Contemporary Popular Culture", in A.I. Fernández Pichel (ed), How Pharaohs Became Media Stars: Ancient Egypt and Popular Culture, Archaeopress Egyptology 48, Oxford, p. 177.
Open access
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